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Refletir o que mudar para para o próximo ano. I have slowed down to one a month, but still going.Quando chegamos no período de Ano Novo somos levados a I save that email, don't get too happy with it (one song per show per label and don't abuse it) and it has worked out. Several labels have told me to play what I want.

The acts I play are generally pretty small time, so they are usually good with it. Since then I have cleared with the artists or label. I realized it could have easily gone the other way with them complaining. I have always hand rolled my feed in a text editor.Ībout a year in one of the artists I played sent me a thank you.

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It is free and a no thought involved compressor and normalizer that works well in most cases) and then drop them in place in ACID. I do the VOs the way I did at the beginning and do all of them after the setlist is finalized, tweak the sound a bit in SoundForge and Levelator (if you aren't using CN Levelator, you should be. I started doing the voiceovers into my board though I eventually moved to doing them on my Zoom H4. I was a bit of an amateur electro musician at the time, so I grabbed a sparse beaty track as my bumper music and arranged everything in ACID. Things were a little fast and loose then so I just started playing what I was into and not worrying about clearances. I had been making mix CDs for a user swap that had been ongoing on Metafilter and wanted to start a music show. In 2005 I had heard the term podcast come up. What kind of show are you planning to do? Take my advice with a grain of salt, because I'm just getting started, too. To get the word out, I link to my podcast on Facebook with each new episode (and created a Facebook fan page), I occasionally comment in forums for similar podcasts (with the link to my own podcast in my signature), and in the future when I have more episodes up to the quality I'd prefer, I am going to submit to iTunes and pray I get featured (that's a long shot) and maybe try to advertise more on other podcasts, either by allowing them to use clips from my show if they are a clip show or maybe even by paying a small advertising fee. In my own case, my personal website used to be a decently popular webcomic a few years back, so I just refurbished it as a blog and then as a podcast-most of my listeners are carryovers from that. That should be all you need to get started. Websites can be hosted a lot cheaper than podcast hosts, or you can just go with a free blogging site like Wordpress.) You can also use it as a blog, to give more information about your podcast, to setup donations and other payment options, and so on. This will be where people will find your podcast if they are not searching through iTunes. Though someone else will be hosting the podcast, you can still embed the files on your website, and you'll want to post show notes and links here, too. (I use Feedburner and they are good about formatting your podcast metadata for use in iTunes.)Ī website.

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A free host like that won't keep you on if your podcast becomes popular and a lot of people start to download it.)Ī feed. Alternatively, you could use to host your site for free, but that's only for someone just starting out. I use Libsyn and pay $15 per month, but they also have a $5 per month option. (Most hosts will charge you a relatively small monthly fee, since podcasts tend to be large files that eat up a lot of bandwidth. And the mic you buy will probably come with a program like Cakewalk.)Ī host. Alternatively, you could use something like Garageband if you have that on your Mac. (I use Audacity, which is free to download. I sprung for a $100 mic that can run on batteries and record disconnected from the computer, just for a little more versatility.) You can get them for around $60 or so and they do a serviceable job for someone just starting out. (I'd recommend a cheap USB microphone to start out. I just started my own podcast, too! Here's what you'll need:Ī mic.

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